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Billy Boy. Aki and Ukthay. A Gal In Calico. Ahmad's Blues. Will You Still Be Mine. Slaughter On 10th Avenue. The Donkey Serenade. Rica Pulpa. Crazy He Calls Me. Excerpt from the Blues. Pavanne for Ahmad. Chamber Jazz Volume 3. Chamber Jazz Volume 2. Chamber Jazz Volume 1. Whatever you call it, the way he plays is the essence of what jazz is.
Nash described his experience with Jamal's style in an interview with Down Beat magazine: "The way he comped wasn't the generic way that lots of pianists play with chords in the middle of the keyboard, just filling things up.
He gave lots of single line responses. He'd come back and throw things out at you, directly from what you played. It was really interesting because it made you stop, and allowed him to respond, and then you felt like playing something else — that's something I don't feel with a lot of piano players.
It's really quite engaging. I guess that's another reason people focus in on him. He makes them hone in [sic]. Jamal has recorded with the voices of the Howard A. From Wikipedia, the free encyclopedia. Redirected from Frederick Russell Jones. For the Pakistani cricketer, see Ahmed Jamal cricketer.
Ahmad Jamal performing with bassist James Cammack. He plays just what is needed and nothing more Miles Davis and American culture. Missouri History Museum. Miles Davis and American Culture. Louis: Missouri Historical Society Press, 79— The New Grove Dictionary of Jazz, 2nd ed. Barry Kernfeld. Grove Music Online. Oxford Music Online. April 17, Piano Jazz with Marian McPartland. August 29, Retrieved September 19, April 27, January 18, Retrieved July 3, Retrieved The New York Times.
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